TH115-30 From Text to Performance
Introductory description
This module explores the process of taking the text from page to performance. Through a programme of lectures and practical exploration of a number of selected plays/performance texts, the module will examine the relationship between performance and society, considering how it reflects, responds to and has the potential to influence its wider political, social, cultural and artistic contexts. Giving students the opportunity to experiment practically with realising texts in performance the module will also consider aspects such as staging, genre, narrative structure, performance strategies, dramaturgical thinking and directorial conceptualization as well as the changing role and function of the audience.
Module aims
The module aims to
examine the process the material undergoes in its journey from page to stage
consider the changing relationship between text and socio-cultural, aesthetic and historical context
investigate various ways of dramaturgical thinking and different modes of ‘reading’ a text
explore the relationship between theory and practice through the practical exploration and presentation of representative plays/performance texts.
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
Indicative schedule (content to be determined by tutors for each session)
TERM 2
Week 1: Introduction to the Text
Week 2: Text Case Study 1
Week 3: Staging the Text
Week 4: Text Case Study 2
Week 5: Directing the Text
Week 6: Reading Week
Week 7: Text Case Study 3
Week 8: Assessment 1 - Rethinking the Text
Week 9: Afterlives of the Text
Week 10: Sound and Music
TERM 3
Week 1: Reducing the Text
Week 2: Physicalising the Text
Week 3: Embodying the Text
Week 4: Gamifying the Text
Week 5: Assessment Rehearsals
Week 6: Assessment 2 - Remaking the Text
Learning outcomes
By the end of the module, students should be able to:
- By the end of the module, students should be able to demonstrate an understanding of some of the key aspects of the creative and research processes involved in the journey from text to performance.
- By the end of the module, students should be able to show an awareness of the ways in which playwrights and theatre-makers have used theatre to respond to, intervene in and debate social, cultural and political processes.
- By the end of the module, students should be able to describe and evaluate some of the textual, staging and theatrical strategies deployed in the works studied during the module.
- By the end of the module, students should be able to articulate how a practical engagement with a play or performance text has enriched their understanding of its form, narrative, use of character, stylistic traits, etc.
- By the end of the module, students should be able to undertake research tasks using appropriate research tools and communicate what they have learnt through performance and written forms.
Research element
The research involved is not always traditional academic research, but the learning on the module involves a strong aspect of dramaturgical and directorial research necessary in preparing text for performance.
International
There is consideration of examples that are geographically and culturally diverse.
Subject specific skills
- Students will gain skills in aspects of the creative and research processes involved in the journey from text to performance. They will acquire basic directorial and editorial skills as well as awareness of technical requirements in the page to stage process.
- To show an awareness of the ways in which playwrights and theatre-makers have used theatre to respond to, intervene in and debate social, cultural and political processes.
- To describe and evaluate some of the textual, staging and theatrical strategies deployed in the works studied during the module.
- To articulate how a practical engagement with a play or performance text has enriched their understanding of its form, narrative, use of character, stylistic traits, etc.
- To undertake research tasks using appropriate research tools and communicate what they have learnt through performance and written forms.
Transferable skills
This skills are transferable to various aspects of theatre making, practice as research, as well as to other forms including presentations, performance presentations, installations, workshop creation, text analysis; other skills include organisational and management skills and team work.
Study time
| Type | Required |
|---|---|
| Seminars | 10 sessions of 1 hour (3%) |
| Practical classes | 17 sessions of 1 hour (6%) |
| Supervised practical classes | 60 sessions of 1 hour (20%) |
| External visits | 2 sessions of 3 hours (2%) |
| Private study | 201 hours (67%) |
| Assessment | 6 hours (2%) |
| Total | 300 hours |
Private study description
Students need to research, prepare and rehearse their rehearsed scenes in Term 2. They alsop need to research, devise, prepare and rehearse rehearse their for their performance assessment in Term 3
Costs
No further costs have been identified for this module.
You must pass all assessment components to pass the module.
Assessment group A2
| Weighting | Study time | Eligible for self-certification | |
|---|---|---|---|
Assessment component |
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| Rethinking the Text | 40% | 2 hours | No |
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For this assessment in Term 2, you will work in groups to pitch a directorial concept for a new production of the set text, based on a pre-assigned scene. These pitches will be delivered in the drama studios for the rest of the cohort in the order in which they appear in the set text. The pitches should show an understanding of dramaturgical issues and a demonstration of the skills developed on the module up to this point. Pitches should not exceeed 10 minutes in length. You will be assigned a unique scene from the set text and work in small groups. |
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Reassessment component is the same |
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Assessment component |
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| Remaking the Text | 60% | 4 hours | No |
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The performance exam in Term 3 consists of group performances of your adaptations of the set text responding to one of its key themes. Themes will be outlined and discussed during the Term 3, Week 1 seminar and will be listed on the course Moodle. Performances should be at least 15 minutes long and not exceed 20 minures in length. The performance should demonstrate a practical knowledge of directorial and dramaturgical conceptualising. Students should exhibit an understanding of the adaptation process that occurs during the page-to-stage journey, with informed decisions made regarding genre, narrative structure, and character development. In groups, you should also consider the diverse genres and themes discussed in class over the course of both terms. |
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Reassessment component is the same |
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Feedback on assessment
Written.
Courses
This module is Core for:
- Year 1 of UTHA-QW34 Undergraduate English and Theatre Studies
- Year 1 of UGEA-RW24 Undergraduate German and Theatre Studies
- Year 1 of UHPA-R4W4 Undergraduate Hispanic Studies and Theatre Studies
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UTHA-W421 Undergraduate Theatre and Performance Studies
- Year 1 of W421 Theatre and Performance Studies
- Year 1 of W421 Theatre and Performance Studies
- Year 1 of UIPA-W4L8 Undergraduate Theatre and Performance Studies and Global Sustainable Development
This module is Optional for:
- Year 1 of ULNA-R1WB Undergraduate French and Theatre Studies
- Year 1 of ULNA-R3WA Undergraduate Italian and Theatre Studies
- Year 1 of UVCA-LA99 Undergraduate Liberal Arts