Introductory description

What is beauty? What does it mean to be beautiful? How do we know beauty when we see it?

The Irish poet and philosopher John O'Donohue defines beauty as "the edge of becoming...an emerging fullness, a greater sense of grace and elegance, a deeper sense of depth, and also a kind of homecoming for the enriched memory of your unfolding life."

Yet, when many of us think of beauty, we might find such a definition to be dissonant, considering beauty as something that is entirely socially constructed by the patriarchy, observable in mass media, celebrity culture, concepts of glamour, consumerism, and increasingly unrealistic expectations.

Such radically different approaches to the critical issue of beauty are not unique to our historical moment or our culture. Beauty has been a key issue for critical thinkers across cultures for centuries and can be approached from a wide variety of perspectives.

Definitions of beauty can range from the transcendent possibilities of awakening one's love of the true and the good as seen in Plato and Plotinus; aesthetic discussions of what makes poetry beautiful in Aristotle and Tasso; visual debates on beauty in Renaissance portraiture; Natural landscapes and the experience of sublimity as described in Kantian thought; Musical expressions of beauty by romantic composers such as Beethoven, Chopin, and Wagner; early twentieth-century futurist conceptions of the beauty of machines; the beauty of great social movements in Soviet art; postmodern deconstructions of beauty via the use of pastiche, sampling, and collage in the works of artists such as Andy Warhol and Grandmaster Flash; and redefinitions, reclamations, and resistance to ideals of beauty by Beyoncé, Britney Spears, Rhianna, and Lady Gaga. Beauty can equally be seen as a dangerous concept that was (and is still) used to justify the horrors of colonialism, to establish oppressive normative frameworks of gender, to reinforce existing social inequality, and as a framework that enables ongoing exploitative industries such as social media, fast fashion, or pornography.

This module will not tell you what beauty is nor how to think about it. Instead, it will challenge your existing preconceptions and encourage you to develop critical thinking skills around the interdisciplinary issue of beauty through encounters with theoretical frameworks, detailed case studies, and focussed problems. The module will combine a wide variety of perspectives drawn from disciplines such as aesthetics, musicology, sociology, art history, gender studies, media and communications studies, literary studies, anthropology, poetics, and other relevant areas of study.

Module web page

Module aims

Outline syllabus

This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.

The syllabus for this module is flexible as it will depend on the expertise of the module convenor and student interests. The module will always be interdisciplinary in nature, but will feature a wide variety of case studies which may change from year to year. An indicative syllabus may include case studies such as:

—Writing the Perfect Poem: Aristotle and Tasso on Poetic Beauty

—Beyond Orientalism: Decolonising Beauty in post-1960s Egyptian Cinema

—Musical Beauty and the Romantic Sublime

—Spreadable Spectacle: Beauty, Social Media, and Mental Health

—Manufacturing Desire: The Development of the Beauty Industry from Perfume to Fast Fashion

—Capturing Laura: Petrarchism and Beauty Ideals in Renaissance Portraiture

—Beauty as a Road to God: from Dante to O'Donohue

—The Problem of Pornography: Oppression, Exploitation, or Liberation?

—Natural Beauty? Crafting and Representing Landscapes

—Build Back Beautiful: Urban Debates on Rebuilding after the Great Fire of London and the Great Chicago Fire

—Kitsch and the "Cult of Ugliness:" Postmodern Approaches to Beauty

—The Beauty of "Progress:" Representing Social Movements

—Remixing Beauty from Britney to Beyoncé

—Absence as Beauty: Iconoclasm and Revolution

—Beauty and the Beast: The Acculturation of Beauty Standards Among Children

—Maybe She's Born With It?: Biological Approaches to Beauty

Learning outcomes

By the end of the module, students should be able to:

• demonstrate an in-depth understanding of beauty as a critical issue
• critically analyse ideas of beauty across cultures, disciplines, and time periods
• analyse case studies related to beauty from interdisciplinary perspectives
• mobilise relevant academic scholarship in support of their ideas

Indicative reading list

View reading list on Talis Aspire

Research element

Students will be asked to conduct independent research for the assessments on this module.

Interdisciplinary

All modules in Liberal Arts are interdisciplinary/transdisciplinary by definition. This module is no exception. It features theories and ideas from a wide range of disciplines.

International

The module will employ case studies from around the world. As students will have input into which case studies they would like to explore, the module will embody the best principles of representative curriculum design.

Subject specific skills

As a first-year core module, students who take this module will gain skills such as critical thinking, writing skills such as argument structure, learn to navigate interdisciplinary approaches, hone their reading skills (with regard to complex theory), gain independent research skills, etc...

These skills will be foundational for their future studies in Liberal Arts.

Transferable skills

All skills gained in a Liberal Arts module are transferrable by definition.

Like all Liberal Arts modules, students on this module will learn time managment, project management (by working in weekly groups), critical thinking, and gain greater confidence in their own ability to express and structure evidence-based arguments.

In terms of personal development, this module will encourage students to think critically about their own preconceptions and to consider beauty from a complex and multifaceted perspective.