HA976-30 The Thirties: The Arts and Society in inter-war Britain
Introductory description
The module examines the debate over the role of art and the artist in modern society which occurred in inter-war Britain.
Module aims
Rather than presenting artistic developments during that period in terms of a conflict between conservative artistic ideas and an imported model of avant-garde practice, the module will test various alternative interpretations. The persistence of a Victorian tradition linking art with civic responsibility and social purpose will be contrasted with the aestheticism of critics like Roger Fry and Clive Bell. The attitude of artists and architects towards craftsmanship, and their growing involvement in industrial design, advertising and speculative building will be examined in the context of the precarious economic and political conditions of the period.
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
Land, landscape, the "call-to-order," utopianism and modernity
'Medieval modernism'
Primitivism, sculpture and space: Gill, Epstein, Moore and Hepworth
Artists, art and industry: Nash, Bawden, Ravilious, Marx, McKnight Kauffer, London Underground, Shell and Harrods
The image of the architect and architecture in 1930s Britain
British and Modern? Unit One - Read, Nash, Hepworth, Moore, Nicholson and Wells Coates
Artists, war and pacifism
Identity and the uncanny: Britain, society, psychoanalysis and surrealism
Society observed: the Mass Observation Project
Realism and realist debates: the Euston Road painters and the GPO film unit
Towards an International Style: émigré architects, designers, artists and Britain
Learning outcomes
By the end of the module, students should be able to:
- Command a detailed knowledge of key works of British art and architecture of the period
- Demonstrate a higher uunderstanding of the structure of the art world during the inter-war period
- Display an advanced understanding of the connections between art practice and art criticism
- Demonstrate and interpret differing manifestations of national and artistic identity within an informed historical trajectory
- Show a critical awareness of current debates about 1930s art
- Initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
- Ability to undertake research and to write up the results using accurately specific techniques of analysis and enquiry at an appropriate level
- Familiarity with essential ICT skills
- Ability to collaborate effectively with others
- Show understanding of diverse viewpoints
- Ability to formulate a sustained argument
- Think conceptually and independently at an appropriate level
- Ability to evaluate one’s own needs and intellectual progress
- Ability to conduct independent research and analysis
- Sophisticated visual analysis and understanding of visual culture
- Bibliographical skills at an appropriate level
- Critical analysis of cultural artefacts in their context
Indicative reading list
Circle ed. J.L.Martin, N.Gabo, B.Nicholson (1937)
C.Day Lewis, ed.,The mind in chains (1937)
C.Harrison, English art and modernism rev.ed (1999)
Harrod, T, The crafts in Britain in the 20th century (1998)
Jackson, A, The politics of architecture: a history of modern architecture in Britain (1975)
I.Jeffery, Mass-Observation: a short history (1978)
D. LeMahieu, A culture for democracy: mass communication and the cultivated mind in Britain
between the wars (1998)
R. MacKibbin, Classes and cultures: England 1918-1951 (1998)
Matless, D, Landscape and Englishness (1998)
D,Mellor, A Paradise Lost: the neo-romantic imagination in Britain 1935-55 (1987)
D.Peters Corbett, The modernity of English art (1997)
A.Powers, Modern: the modern movement in Britain (2006)
H.Read, Art and Industry (1934)
H.Read, Surrealism (1936)
Reed, C, Bloomsbury Rooms (2004)
M.Saler, The avant-garde in inter-war England (1999)
Sculpture in 20th-century Britain ed. P.Curtis (2003)
S.Smiles ed., Going Modern and Being British (1998)
View reading list on Talis Aspire
Subject specific skills
- Command a detailed knowledge of key works of British art and architecture of the period
- demonstrate a higher understanding of the structure of the art world during the inter-war period
- display an advanced understanding of the connections between art practice and art criticism
- demonstrate and interpret differing manifestations of national and artistic identity within an informed historical trajectory
- show a critical awareness of current debates about 1930s art
- sophisticated visual analysis and understanding of visual culture
- critical analysis of cultural artefacts in their context
Transferable skills
- initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
- ability to undertake research and to write up the results using accurately specific techniques of analysis and enquiry at an appropriate level
- familiarity with essential ICT skills
- ability to collaborate effectively with others
- Show understanding of diverse viewpoints
- ability to formulate a sustained argument
- think conceptually and independently at an appropriate level
- ability to evaluate one’s own needs and intellectual progress
- ability to conduct independent research and analysis
- bibliographical skills at an appropriate level
Study time
Type | Required |
---|---|
Seminars | 10 sessions of 4 hours (13%) |
Tutorials | 1 session of 1 hour (0%) |
External visits | 1 session of 2 hours (1%) |
Private study | 257 hours (86%) |
Total | 300 hours |
Private study description
Required and recommended reading for seminars and tutorials and research for written assessment.
Costs
No further costs have been identified for this module.
You do not need to pass all assessment components to pass the module.
Assessment group A1
Weighting | Study time | Eligible for self-certification | |
---|---|---|---|
Assessment component |
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5,000 Word Essay | 90% | Yes (extension) | |
Assessed Essay |
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Reassessment component is the same |
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Assessment component |
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Engagement | 10% | No | |
Reassessment component is the same |
Feedback on assessment
Written feedback and dedicated feedback tutorials.
Courses
This module is Option list A for:
- Year 1 of THAA-V4PJ Postgraduate Taught History of Art and Visual Studies
This module is Option list C for:
- Year 1 of TPHA-V7PN Postgraduate Taught Philosophy and the Arts