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HA964-30 Giotto in Assisi and the Art of the Friars

Department
SCAPVC - History of Art
Level
Taught Postgraduate Level
Module leader
Louise Bourdua
Credit value
30
Module duration
10 weeks
Assessment
100% coursework
Study location
University of Warwick main campus, Coventry

Introductory description

This module focuses on the art, iconography and patronage of the Franciscan Order, arguably the most popular religious movement of the later middle ages. It investigates in detail how the cult of Francis of Assisi was promoted through images from its modest beginnings to the frescoed double church at Assisi painted in part by Giotto, the most important artist of late medieval Italy. Comparison is made with the other friars: Dominicans, Carmelites, Austin Hermits and the art of women religious.

Module aims

It will familiarise students with the culture of the late Middle Ages, and the place of imagery and art within that culture. The module aims to develop an awareness of the sources and methodologies used in the study of this period to encourage students to relate artistic production to religious belief, spiritual experience, and devotional practice in a sophisticated fashion.

Outline syllabus

This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.

Setting the Scene: the Lives of Francis and Dominic
The Cult of St Francis: Early Images
The Cult of St Francis: Assisi (the Lower & Upper Church)
Giotto and the ‘Assisi’ problem
Franciscan Responses to Assisi: Giotto at Santa Croce, Pisa
The Other Friars: Dominic’s tomb in Bologna, Paintings of St Dominic
The Other Friars: Carmelites and Austin Hermits
Women Religious: the Art of the Poor Clares

Learning outcomes

By the end of the module, students should be able to:

  • Analyse medieval visual culture within an interdisciplinary framework
  • Understand the relationship between text and images
  • Demonstrate detailed knowledge of the monuments studied and their contexts
  • Critically assess the roles of artists vs. patrons within the context of artistic production in late medieval Italy
  • Analyse medieval visual culture within an interdisciplinary framework
  • Initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
  • Ability to undertake research and to write up the results in the form of a well-structured argument using accurately specific techniques of analysis and enquiry at an appropriate level
  • Familiarity with essential ICT skills
  • Ability to collaborate effectively with others
  • Show understanding of diverse viewpoints
  • Ability to find, select, organize and synthesize evidence
  • Ability to formulate a sustained argument
  • Think conceptually and independently at an appropriate level
  • Ability to conduct independent research and analysis
  • Sophisticated visual analysis and understanding of visual culture
  • Bibliographical skills at an appropriate level
  • Critical analysis of cultural artefacts in their context

Indicative reading list

Donal Cooper & Janet Robson, The Making of Assisi: The Pope, the Franciscans and the Painting of the Basilica, New Haven & London: Yale University Press 2013
Joanna Cannon, Religious Poverty, Visual Riches: Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries, New Haven & London: Yale University Press 2013
Louise Bourdua, The Franciscans and Art Patronage in Late Medieval Italy, Cambridge: Cambridge University Press, 2004 & 2011
Louise Bourdua & Anne Dunlop, Art and the Augustinian Order in Early Renaissance Italy, Aldershot & Burlington: Ashgate, 2007William R. Cook, The Art of the Franciscan Order in Italy, Boston & Leiden: Brill, 2005
Anne Derbes & Mark Sandona eds., The Cambridge Companion to Giotto, Cambridge: Cambridge University Press, 2003
Elvio Lunghi, The Basilica of St. Francis at Assisi: The frescoes by Giotto, his precursors and followers, London: Thames & Hudson, 1996

View reading list on Talis Aspire

Subject specific skills

  • analyse medieval visual culture within an interdisciplinary framework
  • understand the relationship between text and image
  • demonstrate detailed knowledge of the monuments studied and their contexts
  • critically assess the role of artists vs. patrons within the context of artistic production in late medieval Italy
  • show a critical awareness of current debates about Giotto
  • sophisticated visual analysis and understanding of visual culture
  • critical analysis of cultural artefacts in their context

Transferable skills

  • initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
  • ability to undertake research and to write up the results in the form of a well-structured argument using accurately specific techniques of analysis and enquiry at an appropriate level
  • familiarity with essential ICT skills
  • ability to collaborate effectively with others
  • show understanding of diverse viewpoints
  • ability to find, select, organize and synthesize evidence
  • ability to formulate a sustained argument
  • think conceptually and independently at an appropriate level
  • ability to conduct independent research and analysis
  • bibliographical skills at an appropriate level

Study time

Type Required
Seminars 10 sessions of 4 hours (13%)
Tutorials 3 sessions of 1 hour (1%)
External visits 1 session of 2 hours (1%)
Private study 255 hours (85%)
Total 300 hours

Private study description

Required and recommended reading for seminars and tutorials and research for written assessment.

Costs

No further costs have been identified for this module.

You do not need to pass all assessment components to pass the module.

Assessment group A1
Weighting Study time Eligible for self-certification
Assessment component
5,000 Word Essay 90% No

Assessed Essay

Reassessment component is the same
Assessment component
Engagement 10% No
Reassessment component is the same
Feedback on assessment

Written feedback and dedicated feedback tutorials

Courses

This module is Optional for:

  • Year 1 of TRSA-V1PF Postgraduate Taught Culture of the European Renaissance

This module is Option list B for:

  • Year 1 of THAA-V4PJ Postgraduate Taught History of Art and Visual Studies

This module is Option list C for:

  • Year 1 of TPHA-V7PN Postgraduate Taught Philosophy and the Arts