HA2G4-15 The Arts of India's Royal Courts
Introductory description
The module will the explore the patronage of art and architecture at India's royal courts from the era of Mughal expansion to the end of British rule in the subcontinent.
Module aims
This module will offer an overview of the developments in the visual arts at India’s royal courts from the sixteenth to early twentieth centuries during the periods of successive Mughal and European conquest, expansion and colonialism. Concepts of kingship evolved and shifted across time and space in the subcontinent, and the symbolic language deployed by rulers expressed itself through a rich array of visual objects and architectural projects. Patronage of the arts by India’s princely states engendered not only artistic developments and innovations, but supported political processes, religious identity and economic and social structures. Beginning with the Mughal empire and ending at the moment just prior to Independence, the module will move across the diverse ethnic, religious and cultural boundaries of India’s princely states to explore the varied categories, forms and functions of painting, architecture and the decorative arts in the royal courts.
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
Introduction: What is “Indian” art?;
From Power to Elegance: architecture of the Mughal emperors;
Painting and the Decorative Arts in the Mughal court;
Rajput painting and the representation of courtly life;
Bhava: mood and landscape in Mewar painting;
Trip to V&A;
Cultural hybridity in eighteenth-century Lucknow;
Ranjit Singh and the Patronage of Art in the Punjab;
Baroda and the institutionalisation of “fine” art;
Indian Princes and the West;
Learning outcomes
By the end of the module, students should be able to:
- Demonstrate a broad knowledge of the diversity of the regional courts of South Asia and their systems of patronage
- Demonstrate a broad knowledge of the subjects, meanings and techniques of Indian court painting from the sixteenth to eighteenth centuries
- Show an understanding of the political, religious and social functions of the art and architecture produced for South Asian courts
- Present an argument, initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
- Ability to undertake research and to write up the results in the form of a well-structured argument at an appropriate level
- Familiarity with essential ICT skills
- Ability to collaborate effectively with others
- Show understanding of diverse viewpoints
- Ability to find, select, organize and synthesize evidence
- Ability to formulate a sustained argument
- Think conceptually and independently at an appropriate level
- Sophisticated visual analysis
- Bibliographical skills at an appropriate level
- Critical analysis of cultural artefacts in their context
Indicative reading list
Anna Jackson and Amin Jaffer, Maharaja: The Splendour of India’s Royal Courts (London: V&A publications, 2009)
Dipti Khera, The Place of Many Moods: Udaipur’s Painted Lands and India’s Eighteenth Century (Princeton and Oxford: Princeton University Press, 2020)
Ebba Koch, Mughal Architecture: An Outline of its History and Development (Delhi: Primus Books, 2014)
J P Losty and Malini Roy, Mughal India: Art, Culture and Empire (London: British Library, 2012)
Stephen Markel, India’s Fabled City: The Art of Courtly Lucknow (Los Angeles: LACMA, 2011)
Kajal Meghani, Splendours of the Subcontinent: A Prince’s Tour of India (London: Royal Collection Trust, 2017)
Vibuti Sachdev and Giles Tillotson, Building Jaipur: the Making of an Indian City (London: Reaktion Books, 2002)
Susan Stronge (ed.), The Arts of the Sikh Kingdoms (London: V&A publications, 2009)
Giles Tillotson and Mrinalini Ventakeswaran, Painting and Photography at the Jaipur Court (New Delhi: Niyogi Books, 2016)
Subject specific skills
- Demonstrate a broad knowledge of the diversity of the regional courts of South Asia and their systems of patronage
- Demonstrate a broad knowledge of the subjects, meanings and techniques of Indian court painting from the sixteenth to eighteenth centuries
- Show an understanding of the political, religious and social functions of the art and architecture produced for South Asian courts
- sophisticated visual analysis
- critical analysis of cultural artefacts in their context
Transferable skills
- present an argument, initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
- ability to undertake research and to write up the results in the form of a well-structured argument at an appropriate level
- familiarity with essential ICT skills
- ability to collaborate effectively with others
- show understanding of diverse viewpoints
- ability to find, select, organize and synthesize evidence
- ability to formulate a sustained argument
- think conceptually and independently at an appropriate level
- bibliographical skills at an appropriate level
Study time
Type | Required |
---|---|
Seminars | 9 sessions of 2 hours (12%) |
External visits | 1 session of 2 hours (1%) |
Private study | 130 hours (87%) |
Total | 150 hours |
Private study description
Required and recommended reading for seminar presentations, research for written assessment and revision for examinations.
Costs
Category | Description | Funded by | Cost to student |
---|---|---|---|
Field trips, placements and study abroad |
Trip to V&A or other collection in London |
Department | £0.00 |
You do not need to pass all assessment components to pass the module.
Assessment group C1
Weighting | Study time | Eligible for self-certification | |
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Assessment component |
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Assessed Essay | 40% | No | |
2000 word essay |
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Reassessment component is the same |
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Assessment component |
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Engagement | 10% | No | |
Reassessment component is the same |
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Assessment component |
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Online Written Assignment (Open Book) | 50% | No | |
Summer Term Exam Assignment ~Platforms - WAS
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Reassessment component is the same |
Feedback on assessment
Written feedback and dedicated feedback tutorials
Courses
This module is Option list A for:
- Year 2 of UHAA-V401 Undergraduate History of Art