TH248-30 Ways of Doing
Introductory description
Ways of Doing aims to develop your critically creative thinking, writing, and practice, in dialogue with real-world issues. Throughout the module you’ll engage with different types of performance, theory, practical workshops, and the methods which draw them together. The module seeks to show you new ways of doing research and practice to help you think about the real-world applicability of your work. It will ask you how you want to intervene in the world. You’ll be invited to share your ideas, in response to the module material, and to experiment with them in “D.I.Y” practical sessions. Ways of Doing will also prepare you for your third-year independent research project which will take the form of either a practice-based or a written dissertation. The assessments will challenge you as research-practitioners to think critically about HOW you want to work. What do you want to say? What forms and methods will help you do this? And, critically, why.
Module aims
- to help students understand what is needed to work with ideas, theories, and methodologies from other disciplines and real-world contexts in and through theatre and performance,
- to equip students with the ability to explore how artists, activists and general public are interfacing and interrogating issues in and through theatre and performance practices,
- to equip students with the 'how to do' this themselves in various modalities (scholarship, curation and creative practice).
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
Week 1 “Are you theory or practice?”
Weeks 2-4 Estrangement and Exile
Week 5: D.I.Y. Stage the Scenes/Interventions
Weeks 6-9 Pain & Performance Art?
Week 10: D.I.Y. Pain-points
Spring
Week 1: Writing Workshop (?)
Weeks 2-4: Climate Crisis & Community Theatre)
Week 5: D.I.Y.
Week 7: Let’s Get Ethical
Weeks 8-10: Research & Rehearsals.
Learning outcomes
By the end of the module, students should be able to:
- demonstrate that they understand what is needed to work across disciplines and modalities,
- interrogate how artists, activists, etc., are engaging in an interdisciplinary and interrogative way with theories and practices that address contemporary issues and concerns; and
- demonstrate these competencies in the ways they choose to engage specific theories, aesthetics and modes of performance in their written and practical work.
Indicative reading list
Aldrich, John H. (2014) Interdisciplinarity (Oxford University Press: New York).
Byron, E (ed.) (2018) Performing Interdisciplinarity (Routledge: London).
Callard, Felicity and Fitzgerald, Des. (2015) 'Introduction: Not Another Book about Interdisciplinarity.' in, Rethinking Interdisciplinarity across the Social Sciences and Neurosciences (Palgrave Macmillan: Basingstoke).
Cheah, Pheng (2006) Inhuman Condition: On Cosmopolitanism and Human Rights. Cambridge, MA: Harvard University Press.
Cox, Emma (2017) “Processional Aesthetics and Irregular Transit: Envisioning Refugees in Europe”, Theatre Journal, vol. 69, no. 4. Pp 477-49
Darbellay, Frederic, Moody, Zoe, Lubart, Todd (eds.) (2017) Creativity, Design Thinking and Interdisciplinarity (Springer: Singapore).
Ehrenreich, Barbara and Ariel Russell Hochschild (2002) Global Woman: Nannies, Maids, and Sex Workers in the New Economy. New York: Henry.
Graff, Harvey J. (2015) 'The Problem of Interdisciplinarity in Theory and Practice over Time.' In Undisciplining Knowledge : Interdisciplinarity in the Twentieth Century (John Hopkins University Press: Maryland).
Gray, Margaret (2014) Labor and the Locavore: the making of a comprehensive food ethic.
Haedicke, Susan (2021) Performing Farmscapes. Palgrave Macmillan. (Forthcoming in 2021).
Harvest of Shame’. (1960) [TV programme] CBS. https://www.youtube.com/watch?v=yJTVF_dya7E
Hutchison, Yvette. (2013) South African Performance and Archives of Memory. Manchester and New York: Manchester University Press.
Jestrovic, Silvija (2016) ‘The Maid Vanishes’, Lateral: special issue Leveraging Justice. (November) http://csalateral.org/wp/archive/issue/5-2
Jones, Simon. (2009) ‘The Courage of Complementarity: Practice-as-Research as a Paradigm Shift in Performance Studies’. In Practice-as-Research in Performance and Screen. Eds. Ludivine Allegue, Simon Jones, Baz Kershaw and Angela Piccini. Palgrave Macmillan. pp.19-32.
Kapur, Anuradha and Ari Sitas. Dark Bodies (video/performance recording)
Klein Julie Thompson. (2017) "Typologies of Interdisciplinarity: The Boundary Work of Definition." In. Robert, Frodeman (ed.) The Oxford Handbook of Interdisciplinarity (2nd Ed) (Oxford University Press: Oxford)
Lyotard, Jean-Francois. (1984) The postmodern condition: a report on knowledge (Manchester University Press: Manchester).
Mitchell, Don (2013) ‘Dead Labor and the Political Economy of Landscape - California Living, California Dying’. In Handbook of Cultural Geography. Eds Kay Anderson, Mona Domosh, Steve Pile and Nigel Thrift. Sage Publications Ltd. (e-book)
Nelson, Robin. (2013) Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances.
Palgrave Macmillan. Chapter 2: ‘From Practitioner to Practitioner-Researcher’, pp. 23-47.
University of California Press. “Introduction: Is Local Food and Ethical Alternative?’ (e-book)
Patel, Raj. (2007) Stuffed and Starved: From Farm to Fork: The Hidden Battle for the World Food System. Portobello Books.
Rice, Alan. (2012) Creating memorials, building identities: the politics of memory in the Black Atlantic. Liverpool: Liverpool University Press.
Rose, Mitch. (2006) ‘Gathering Dreams of Presence: a project for the cultural landscape’. Environment and Planning D: Society and Space 24: 537-554.
Schaffer, Simon (2013) 'How disciplines look', in Andrew Born Barry, Georgina (eds.), Interdisciplinarity: Reconfigurations of the Social and Natural Sciences (Routledge: London).
Schechner, Richard (2017) Performance Studies: An Introduction (Routledge: London).
Websites on Wheatfield: A Confrontation, A Field of Wheat, and The Milking Parlour, and Coalition of Immokalee Workers.
Research element
Students are required to interrogate the methods and forms of other disciplines and real-world contexts and the ways in which these engage with performance
Interdisciplinary
The module is predicated on interdisciplinary working
Subject specific skills
Interdisciplinary working, critical analysis, creative practice
Transferable skills
Critical thinking
Problem solving
Active lifelong learning
Communication (verbal and written)
Teamwork and working effectively with others
Information literacy (research skills)
Citizenship (local and global)
Ethical values
Professionalism
Organisational awareness
Study time
Type | Required |
---|---|
Lectures | 18 sessions of 1 hour (7%) |
Seminars | 18 sessions of 2 hours (14%) |
Project supervision | 2 sessions of 30 minutes (0%) |
Private study | 205 hours (79%) |
Total | 260 hours |
Private study description
Session preparation and reflection
Preparation toward realisation of practical work
Costs
No further costs have been identified for this module.
You must pass all assessment components to pass the module.
Students can register for this module without taking any assessment.
Assessment group A3
Weighting | Study time | Eligible for self-certification | |
---|---|---|---|
Essay | 50% | 40 hours | No |
A 3000 word essay |
|||
Project | 50% | 40 hours | No |
In small groups of 4-5 you will design and stage a performative intervention in a real world issue. Projects will be of varied lengths to suit the nature of the intervention but an indicative upper limit would be 30 minutes and an indicative lower limit would be 10 minutes. |
Feedback on assessment
Feedback form
Courses
This module is Core for:
- Year 2 of UTHA-W421 Undergraduate Theatre and Performance Studies
- Year 2 of UTHA-W422 Undergraduate Theatre and Performance Studies (with Intercalated Year)