HA3F1-15 Nordic Design 1900-1960
Introductory description
This module will introduce students to the main currents of design in Denmark, Sweden and Finland from the turn of the twentieth century to the 1960s, introducing them to approaches to and debates in the history of design.
Module aims
This module will introduce students to the main currents of design in Denmark, Sweden and Finland from the turn of the twentieth century to the 1960s, examining the work of major designers, makers and architects. Students will gain an understanding of materials and processes, and how a distinctive approach to modern design emerged in the Nordic region and was then successfully marketed to and circulated around the globe. The major focus will be on furniture and interior design, but students will also explore glass, ceramics, textiles and other design objects. The analysis of design will be rooted in debates about modernity and tradition, the national and the international, the home, the body and inhabitation, and the politics of space.
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
Scandinavian Design and Craft c.1900; Poul Henningsen: Design and Politics in the 1920s; Glass in Sweden and Finland; Nordic Modernism: The Stockholm Exhibition of 1930 and Paimio Sanatorium; The Danish Chair; Marketing Scandinavian Modern Design in Europe and the US; Finn Juhl and Arne Jacobsen in Denmark and the US; Verner Panton and Industrial Modernity
Learning outcomes
By the end of the module, students should be able to:
- Demonstrate a broad knowledge of twentieth-century Nordic design
- Demonstrate an understanding of the materials, making and meaning of design objects
- Discuss the relationship of the national and the international in the making and use of Nordic design objects
- Discuss the relationship between objects, interiors and architecture
- Ability to undertake research and to write up the results in the form of a well-structured argument at an appropriate level
- Familiarity with essential ICT skills
- Show understanding of diverse viewpoints
- Ability to find, select, organize and synthesize evidence
- Ability to formulate a sustained argument
- Think conceptually and independently at an appropriate level
- Demonstrate sophisticated visual and material analysis
- Demonstrate bibliographical skills at an appropriate level
Indicative reading list
Mirjam Gelfer-Jorgensen, The Joining of the Arts: Danish Art and Design, 1880-1910, 2021; Lucy Creagh et al, Modern Swedish Design: Three Founding Texts, 2008; Lasse Brunstrom, Swedish Design: A History, 2019; Charlotte Ashby, Modernism in Scandinvia: Art, Architecture and Design, 2017; Marianne Aav et al, Iittala: 125 Years of Finnish Glass, 2006; Christian Holmsted Oleson, The Danish Chair: An International Affair; Lars Dybdahl, Furniture Boom: Mid-Century Danish Modern Furniture 1945-75, 2018; Per H Hansen, Finn Juhl and his House, 2014; Ida Engholm and Andres Michelsen, Verner Panton, 2018
Subject specific skills
- Demonstrate a broad knowledge of design and its history in twentieth-century Denmark, Sweden and Finland, and their relationship with global developments and markets •Demonstrate knowledge of relationships between design objects and their domestic or institutional settings •Demonstrate an understanding of the role of design in debates about national identity• sophisticated visual and material analysis • critical analysis of cultural artefacts in their context
Transferable skills
- present an argument, initiate and sustain group discussion through intelligent questioning and debate at an
appropriate level • ability to undertake research and to write up the results in the form of a well-structured argument at an appropriate level • familiarity with essential ICT skills • ability to collaborate effectively with others • show understanding of diverse viewpoints • ability to find, select, organize and synthesize evidence • ability to formulate a sustained argument • think conceptually and independently at an appropriate level • bibliographical skills at an appropriate level
Study time
Type | Required |
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Seminars | 10 sessions of 2 hours (13%) |
Private study | 129 hours (86%) |
Assessment | 1 hour (1%) |
Total | 150 hours |
Private study description
Required and recommended reading for seminar presentations, research for and completion of written assessments and revision for examinations
Costs
No further costs have been identified for this module.
You do not need to pass all assessment components to pass the module.
Assessment group D
Weighting | Study time | Eligible for self-certification | |
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Assessment component |
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Assessed Essay | 50% | No | |
2000 word essay |
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Reassessment component is the same |
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Assessment component |
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Engagement | 10% | No | |
Contribution in learning activities |
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Reassessment component is the same |
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Assessment component |
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Online written assessment | 40% | 1 hour | No |
~Platforms - WAS
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Reassessment component is the same |
Feedback on assessment
Written feedback and dedicated feedback tutorials
Courses
This module is Option list B for:
- Year 2 of UHAA-V401 Undergraduate History of Art
- Year 2 of UHAA-V3R3 Undergraduate History of Art with Italian