HP319-15 Journeys and Cityscapes in Latin American Film
Introductory description
Journeys and cities have occupied a central location in Latin American cinema in recent years. In drawing on the theme of travel and the urban experience, key film directors such as Alfonso Cuarón, Walter Salles and Iciar Bollaín have used their filmmaking to explore the impact of globalisation and neoliberalism on culture and everyday life in Latin America.
Module aims
This course explores the relationship between cinema, mobility and the city through the close analysis of contemporary films from Argentina, Brazil, Mexico and Uruguay. In encouraging students to think geographically about film, we will consider how cinematic locations – urban, rural and mobile – enable filmmakers to address broader social and cultural issues, such as migration, neo-colonialism, transnationalism and social inequality.
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
TBC
Learning outcomes
By the end of the module, students should be able to:
- - a keen understanding of the issues at stake in contemporary Latin American film, particularly with regards to representations of mobility and space
- - a sound understanding of the social issues explored by Latin American filmmakers, including the impact of globalisation, transnationalism and neoliberalism
- - ability to apply detailed textual analysis to cinematic texts and relate them to wider social and geographical contexts and discourses
- - ability to write about Latin American film and culture from a spatial perspective
- Intercultural awareness, understanding and competence
- Ability, willingness and openness to engage with other cultures, appreciating their distinctive features
- Knowledge, awareness and understanding of one or more cultures and societies, other than their own.
- Familiarity with the methodologies and approaches appropriate to the discipline.
Indicative reading list
Y Tu Mamá También (Alfonso Cuarón, 2001)
Whisky (Pablo Stoll and Juan Pablo Rebella, 2004)
Central do Brasil (Walter Salles, 1998)
Amores perros (Alejandro González Iñárritu, 2000)
Elefante blanco (Pablo Trapero, 2012)
La mujer sin cabeza (Lucrecia Martel, 2008)
También la lluvia (Iciar Bollaín, 2010)
View reading list on Talis Aspire
International
All modules delivered in SMLC are necessarily international. Students engage with themes and ideas from a culture other than that of the UK and employ their linguistic skills in the analysis of primary materials from a non-Anglophone context. Students will also be encouraged to draw on the experiences of visiting exchange students in the classroom and will frequently engage with theoretical and critical frameworks from across the world.
Subject specific skills
This module will develop students’ linguistic skills through engaging with primary materials in the target language. It will build students’ capacity to engage with aspects of Hispanic culture through analysis of this primary material and through seminar discussion aimed at deeper critical thinking. In particular, students’ awareness of Latin American film will be enhanced through lectures and seminars which engage in scholarship in the field.
Transferable skills
All SMLC culture modules demand critical and analytical engagement with artefacts from target-language cultures. In the course of independent study, class work and assessment students will develop the following skills: written and oral communication, creative and critical thinking, problem solving and analysis, time management and organisation, independent research in both English and their target language(s), intercultural understanding and the ability to mediate between languages and cultures, ICT literacy in both English and the target language(s), personal responsibility and the exercise of initiative.
Study time
Type | Required |
---|---|
Lectures | 11 sessions of 1 hour (7%) |
Seminars | 11 sessions of 1 hour (7%) |
Private study | 128 hours (85%) |
Total | 150 hours |
Private study description
Private study includes working through seminar and lecture notes and independent reading
Costs
No further costs have been identified for this module.
You must pass all assessment components to pass the module.
Assessment group A1
Weighting | Study time | Eligible for self-certification | |
---|---|---|---|
Assessment component |
|||
Assessed essay | 100% | Yes (extension) | |
4,000-4,500 word essay |
|||
Reassessment component is the same |
Feedback on assessment
Feedback will be provided in the course of the module in a number of ways. Feedback should be understood to be both formal and informal and is not restricted to feedback on formal written work.
Oral feedback will be provided by the module tutor in the course of seminar discussion. This may include feedback on points raised in small group work or in the course of individual presentations or larger group discussion.
Written feedback will be provided on formal assessment using the standard SMLC Assessed Work feedback form appropriate to the assessment. Feedback is intended to enable continuous improvement throughout the module and written feedback is generally the final stage of this feedback process. Feedback will always demonstrate areas of success and areas for future development, which can be applied to future assessment. Feedback will be both discipline-specific and focussed on key transferrable skills, enabling students to apply this feedback to their future professional lives. Feedback will be fair and reasonable and will be linked to the SMLC marking scheme appropriate to the module.
Courses
This module is Core option list A for:
- Year 4 of UHPA-R4W4 Undergraduate Hispanic Studies and Theatre Studies
This module is Option list B for:
- Year 4 of UPOA-M166 Undergraduate Politics, International Studies and Hispanic Studies
- Year 3 of UPOA-M16H Undergraduate Politics, International Studies and Hispanic Studies (3 year degree)