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EN3D2-30 Transnational Feminisms: Literature, Theory & Practice

Department
English and Comparative Literary Studies
Level
Undergraduate Level 3
Module leader
Rashmi Varma
Credit value
30
Module duration
18 weeks
Assessment
100% coursework
Study location
University of Warwick main campus, Coventry

Introductory description

The module aims to introduce students to feminist literary theory in a trans-national context. The module will focalise students’ interests in feminist theory by introducing them to inter-disciplinary methods of reading and analysis. Literary texts will be read in combination with film, historical sources, sociological essays and theoretical pieces.

Module aims

The module aims to introduce students to feminist literary theory in a trans-national context. The module will focalise students’ interests in feminist theory by introducing them to inter-disciplinary methods of reading and analysis. Literary texts will be read in combination with film, historical sources, sociological essays and theoretical pieces.

Outline syllabus

This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.

  1. Outline Syllabus
    Term I
    Week 1: Introduction to Transnational Feminisms: key concepts and debates
    Modernism, Colonialism and Gender
    Week 2: Jean Rhys, Voyage in the Dark
    Week 3: Sander L. Gilman, “Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature”, in Henry Louis Gates, Jr., ed. “Race”, Writing, and Difference (Chicago: University of Chicago Press, 1986).
    Anne McClintock, “’Massa’ and Maids: Power and Desire in the Imperial Metropolis”, in Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (London: Routledge, 1995).

Week 4: Antoinette Burton, “The White Woman’s Burden: British Feminists and ‘the Indian Woman’, 1865-1914”, in Nupur Chaudhuri and Margaret Strobel, eds. Western Women and Imperialism: Complicity and Resistance (Bloomington: Indiana University Press, 1992); pp. 137-157.

Inderpal Grewal, “The Culture of Travel and the Gendering of Colonial Modernity in Nineteenth-Century India”, Home and Harem: Nation, Gender, Empire, and the Cultures of Travel (Durham, NC: Duke University Press, 1996).

Woman/Nation
Week 5: Rabindranath Tagore, The Home and the World
WEEK 6: READING WEEK/NO CLASS
Week 7: Partha Chatterjee, “The Nation and its Women” and “Women and the Nation”, in The Nation and its Fragments(Princeton, NJ: Princeton University Press, 1993)

Kamala Visweswaran, “Betrayal: An Analysis in Three Acts”, in Fictions of Feminist Ethnography (Minneapolis: the University of Minnesota Press, 1994)

Rebecca Gould, “Engendering Critique: Postnational Feminism in Postcolonial Syria” WSQ: Women's Studies Quarterly 42:3&4 (Fall/Winter 2014): 209-229
Film: The Home and the World
Migrating Selves
Week 8: Jamaica Kincaid, Lucy

Week 9: Chandra Mohanty, “Women Workers and Capitalist Scripts: Ideologies of Domination, Common Interests, and the Politics of Solidarity”, in Alexander and Mohanty, eds. Feminist Genealogies, Colonial Legacies (1997): 3-29.
Maria Mies, “Colonization and Housewifization”, from Mies, Patriarchy and Accumulation on a World Scale
Ngai PunNgai Pun, “Becoming Dagongmei (Working Girls): the Politics of Identity and Difference in Reform China",The China Journal, No. 42 (Jul., 1999), pp. 1-18.

Week 10: Gloria Anzaldua, Borderlands

Term II:
Subalterneity, Solidarity and Experience
Week 1: Mahasweta Devi, “The Hunt”, “Draupadi” and “Douloti the Bountiful”

Week 2: Spivak, “Can the Subaltern Speak?” in Chrisman and Williams, eds. Colonial Discourse and Post-colonial Theory

Joan Scott, “Experience” in Butler and Scott, eds. Feminists Theorise the Political (New York: Routledge, 1992): 22-40.

Week 3: Kamila Shamsie, Burnt Shadows

Unveiling the Subject
Week 4: Frantz Fanon, “Unveiling Algeria”, from Studies in a Dying Colonialism

Nawal el Saadawi, Woman at Point Zero (1983)
Sadia Abbas, "The Echo Chamber of Freedom: The Muslim Woman and the Pretext of Agency" boundary 2 40:1 (2013)
Film: The Battle of Algiers
Week 5: Assia Djebar, Fantasia

Week 6: READING WEEK: NO CLASS
The World, the Body, the Text
Week 7: Tsitsi Dangarembga, Nervous Conditions

Week 8: Donna Haraway, “A Manifesto for Cyborgs”

Francoise Lionnet, “Feminisms and Universalisms: ‘Universal Rights’ and the Legal Debate Around the Practice of Female Excision in France”

New World Order?
Week 9: Monica Ali, Brick Lane

Week 10: Jacqui Alexander, “Whose New World Order? Teaching for Justice”, Pedagogies of Crossing (2005)

Learning outcomes

By the end of the module, students should be able to:

  • Acquire deep knowledge of key theoretical and literary concepts and of cultural and critical contexts within which to situate the set texts
  • Deploy advanced analytical and critical skills through close reading/viewing of the set texts
  • Explore methods of reading feminist theory and criticism
  • Indicate awareness of various critical, analytical and creative approaches to the production of knowledge about course content and demonstrate a conceptual understanding that enables the development and sustaining of a critical argument
  • Exhibit an effective command of written English together with a wide-ranging and accurate vocabulary
  • Show command of the protocols of textual analysis and critical argument
  • Generate original research questions

Subject specific skills

Third year year students will gain a global perspective on feminist theory. They will be introduced to inter-disciplinary methods of reading and analysis. They will gain familiarity with foundational and advanced concepts in feminist theory and learn to use them in interpretation. They will also learn to devise their own research topics for essay assignments and prepare a bibliography.

Transferable skills

Third year year students will gain a global perspective on feminist theory. They will be introduced to inter-disciplinary methods of reading and analysis. They will gain familiarity with foundational and advanced concepts in feminist theory and learn to use them in interpretation. They will also learn to devise their own research topics for essay assignments and prepare a bibliography.

Study time

Type Required
Seminars 18 sessions of 1 hour 30 minutes (9%)
Private study 273 hours (91%)
Total 300 hours

Private study description

Reading & research.

Costs

No further costs have been identified for this module.

You do not need to pass all assessment components to pass the module.

Assessment group A
Weighting Study time Eligible for self-certification
Assessment component
First assessed essay 40% Yes (extension)

1 x 3000 word essay

Reassessment component is the same
Assessment component
Second assessed essay 40% Yes (extension)

1 x 3000 word essay

Reassessment component is the same
Assessment component
Research/Creative Project of 1500 words 20% Yes (extension)
Reassessment component is the same
Feedback on assessment

Tabula and individual consultation with tutor

Courses

This module is Core optional for:

  • Year 3 of UENA-Q300 Undergraduate English Literature

This module is Optional for:

  • Year 3 of UENA-Q300 Undergraduate English Literature
  • Year 3 of UENA-QP36 Undergraduate English Literature and Creative Writing
  • Year 3 of UENA-VQ32 Undergraduate English and History
  • Year 4 of UENA-VQ33 Undergraduate English and History (with Intercalated year)
  • Year 4 of UENA-QW35 Undergraduate English and Theatre Studies with Intercalated Year

This module is Core option list C for:

  • Year 4 of UCXA-QQ38 Undergraduate Classics and English (with Intercalated Year)

This module is Option list B for:

  • Year 3 of UTHA-QW34 Undergraduate English and Theatre Studies

This module is Option list C for:

  • Year 3 of UPHA-VQ72 Undergraduate Philosophy and Literature
  • Year 4 of UPHA-VQ73 Undergraduate Philosophy and Literature with Intercalated Year