HA1B9-15 Craft & the Popular Arts
Introductory description
This course will introduce students to the history, traditions, and forms of craft and popular arts in Britain from the industrial revolution to the current day. It will familiarise students to debates about hierarchies between different Arts, and encourage students to deploy art historical methods of visual analysis on more everyday objects and cultural practices. The first half of the course will look at various influences on the way everyday objects have been made and conceptualised, from the Arts and Crafts Movement to the way folk art has been used to help construct a sociology of the past. The second half will look at a number of material practices, and show how they often allowed otherwise marginalised groups to express themselves.
Module aims
By the end of the module students should be able to: demonstrate an understanding of the various debates about hierarchy in art history; demonstrate an understanding of various material craft practices: and to demonstrate a familiarity with the way popular art practices can be used to illuminate the social history of the past.
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
Folk Art
The Arts & Crafts Movement & revivalism
Industrial Design
Collecting and Collectors
Popular art and social history
Ceramics
Textiles
Lettering and advertising
Vernacular architecture
Learning outcomes
By the end of the module, students should be able to:
- Demonstrate an awareness of the principal genres of craft and popular art
- Discuss critically the tensions between High Art and Craft
- Explain how everyday objects and artworks can help us understand aspects of social historyy
- Situate popular artworks within their historical, social and political contexts
- Present an argument, initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
- Ability to undertake research and to write up the results in the form of a well-structured argument at an appropriate level
- Familiarity with essential ICT skills
- Ability to collaborate effectively with others
- Show understanding of diverse viewpoints
- Ability to find, select, organise and synthesize evidence
- Ability for formulate a sustained argument
- Think conceptually and independently at an appropriate level
- Sophisticated visual analysis
- Bibliographical skills at an appropriate level
- Critical analysis of cultural artefacts in their context
- bring art historical methods into the analysis of everyday life
- analyse and discuss a variety of images, objects, and social practices
Indicative reading list
Adamson, Glenn. The craft reader. Berg, 2010
Harrod, Tanya, The crafts in Britain in the 20th century. New Haven, CT: Yale University Press, 1999
Greenhalgh, Paul. Ceramic, Art and Civilisation. Bloomsbury Publishing, 2020
Albers, Anni, et al. On weaving: new expanded edition. Princeton University Press, 2017
Gray, Nicolette. "A History of Lettering. Phaidon." (1986)
Hall, Stuart, and Paddy Whannel. The popular arts. Duke University Press, 2018
Stansky, Peter. Redesigning the world: William Morris, the 1880s, and the arts and crafts. Princeton (NJ): Princeton university press, 1985
Lambert, Margaret, and Enid Marx. English Popular Art. BT Batsford, 1951
Sennet, Richard, The Craftsman, 2016
Parker, Rozsika. "The Subversive Stitch Embroidery and the Making of the Feminine." (1984)
A Companion to Textile Culture (2020)
David Pye. The nature and art of workmanship. Vol. 4. Cambridge: Cambridge University Press, 1968
Lethaby, William Richard. Philip Webb and his work. Raven Oak Press, 1979
Harrod, Tanya, Craft (Documents in Contemporary Art). Whitechapel Gallery, 2018
Subject specific skills
- Demonstrate an awareness of the principal genres of craft and popular art
- Discuss critically the tensions between High Art and Craft
- Explain how everyday objects and artworks can help us understand aspects of social history
- Situate popular artworks within their historical, social and political contexts
- Demonstrate sophisticated visual analysis
- Demonstrate critical analysis of cultural artefacts in their context
Transferable skills
- present an argument, initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
- ability to undertake research and to write up the results in the form of a well-structured argument at an appropriate level
- familiarity with essential ICT skills
- ability to collaborate effectively with others
- show understanding of diverse viewpoints
- ability to find, select, organize and synthesize evidence
- ability to formulate a sustained argument
- think conceptually and independently at an appropriate level
- Demonstrate bibliographical skills at an appropriate level
Study time
Type | Required |
---|---|
Seminars | 10 sessions of 2 hours (13%) |
Fieldwork | 1 session of 2 hours (1%) |
Private study | 128 hours (85%) |
Total | 150 hours |
Private study description
Required and recommended reading for seminar preparation, research for written assessments and revision for examinations.
Costs
No further costs have been identified for this module.
You do not need to pass all assessment components to pass the module.
Assessment group A
Weighting | Study time | Eligible for self-certification | |
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Assessment component |
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1500 word essay | 50% | Yes (extension) | |
Assessed Essay |
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Reassessment component is the same |
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Assessment component |
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Online Written Assignment (Open Book) | 50% | Yes (extension) | |
Reassessment component is the same |
Feedback on assessment
Written feedback and dedicated feedback tutorials.
Courses
This module is Option list B for:
- Year 1 of UHAA-V401 Undergraduate History of Art