IP312-15 The Quest I: Departure and Enchantment
Introductory description
The idea of the "quest" was an animating principle throughout the premodern world. Through the quest an individual could fight evil, heal a broken social order, discover previously-unknown worlds, forge new alliances, and find their true selves along the way.
How do we conceive of the quest in an age that Max Weber characterised as dominated by rationalisation, intellectualisation, and above all, a profound sense of "disenchantment" (Entzauberung)? What currency does the idea of the quest have in the modern, bureaucratic, secular world?
This module explores the problem that lies at the outset of all quests: the departure from emotional comfort and epistemological certainty to face unknown realms of fear and enchantments (broadly conceived). Why do we leave? What do we hope to gain? How can we truly depart and break down what holds us back?
The module explores this problem through case studies that focus on from various fields. Each case study is framed through the lens of a particular "quest," with each path converging on the central problems of departure, enchantment, and facing the unknown. As such, "the quest" lens functions as an intervention in multiple contemporary problems that resist easy solutions, and can only be approached from a transdisciplinary perspective, such as that of the "disenchantment of the modern world," and the many avenues we seek out in order to re-enchant it and construct meaning.
Students should note that this module will involve a significant amount of reading and preparation outside of class time (approx 100 pp./week).
Module aims
This module complements other core and optional modules offered in Liberal Arts and encourages students to draw upon and extend prior knowledge. The purpose of the module is for students to explore the problems involved in how quests from various disciplines frame the concept of departure and facing the unknown. Through an exploration of these issues, students will learn to think critically about problematising the straightforward narratives they receive through the idea of the quest in popular and contemporary culture.
In addition to the learning outcomes below, students will benefit from this module by further refining their transdisciplinary analytic skills through collaborative problem-solving and student-led learning. As the module focuses on the problem of engaging with the unknown, it is hoped that students will also develop their own strategies for grappling with unfamiliar ideas and perspectives outside their comfort zone.
The module will be an optional module for Liberal Arts students but also open to students from across the univeristy. It will help students think along transdiciplinary lines, and further refine their capacity for original transdisciplinary analysis by engaging with complex problems that resist simple solutions.
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
The indicative outline syllabus below provides an overview of the key sections and subsections of the module rather than a week by week breakdown.
A) Introduction: Leaving Home
i) Quest Archetypes
ii) Education as Quest: Why and how do we leave?
B) Departure, Desire, and Discontent: The Quest for Love
i) Enchanting the Beloved: Dulcinea and the "Damsel in Distress"
ii) Your Princess is in Another Castle: Gendered Agency in Video Games
C) The Quest for Freedom: Escape
i) Entrepreneurship and the Enchantment of "Being Your Own Boss"
ii) Space Quests and the Climate Crisis
D) The Quest for a Cure: Facing the Unknown
i) Healing and Enchantment
ii) Transgressive Hybrids and the Limits of Medical Inquiry
E) The Quest for Significance: Exile
i) The Holy Grail: Perceval, Galahad, and other Extremists
ii) Relic or Souvenir? Knick Knacks and Invested Objects
F) Conclusions!!!
Learning outcomes
By the end of the module, students should be able to:
- Identify key “quest archetypes” and apply them to contemporary problems.
- Consider, in detail, the motivations, features, structure, and problems inherent in such quests along with their—often unforeseen—social, intellectual, economic, cultural, and ecological impacts.
- Apply advanced cognitive skills to build transdisciplinary knowledge that fosters transformative dialogue between philosophy, literary studies, social sciences, theology, intellectual history, politics, and other fields.
- Implement meta-cognitive skills in approaching complex contemporary problems, such as the quest for new myths, critiques of the quest for sustainability, and new conceptions of home and homelands.
- Collaboratively create their own versions of a “modern quest”, along with a critical analysis of its motivations and multifaceted impacts
- Critically analyse themes of exile, delay, homecoming, and encounters with the unknown across disciplines.
Indicative reading list
Alfred, Lord Tennyson, Idylls of the King. London: Penguin Classics, 2004.
Auster, Paul. David Mazzucchelli, and Paul Karasik. City of Glass: The Graphic Novel. Reissue with introduction by Art Spiegelman. New York: Picador, 2004.
Belting, Hans. Likeness and Presence: A History of the Image Before the Era of Art. trans. Edmund Jephcott. Chicago: University of Chicago Press, 1994.
Benson, Sarah. “Reproduction, Fragmentation, and Collection: Rome and the Origin of Souvenirs.” In Architecture and Tourism, edited by D. Medina Lansansky and Brian McLaren, 15-36. Oxford: Berg, 2004.
Berman, Morris. The Reenchantment of the World. Ithaca, NY: Cornell University Press, 1981.
Bird, William L.. Jr. Souvenir Nation: Relics, Keepsakes, and Curios from the Smithsonian’s National Museum of American History. Smithsonian Institution, National Museum of American History in association with Princeton Architectural Press: New York, 2013.
Campbell, Joseph. The Hero with a Thousand Faces. 3rd Ed. Princeton, NJ: Princeton University Press, 2008.
Cervantes Saavedra, Miguel de. Don Quijote (1605). Translated by Edith Grossman. New York: Ecco Press, 2005.
Davenport, Christian. The Space Barons: Elon Musk, Jeff Bezos, and the Quest to Colonize the Cosmos. London: Hachette, 2018.
Eliot, T.S. The Waste Land. Edited by Michael North. Norton Critical Edition. New York: W.W. Norton, 2000.
Etchells, Pete. Lost in a Good Game: Why We Play Video Games and What They Can Do For Us. London: Icon Books, 2019).
Fassone, Riccardo. Every game is an island: endings and extremities in video games. London: Bloomsbury, 2018.
Foucault, Michel. The Birth of the Clinic: An Archaeology of Medical Perception. Translated by A.M. Sheridan. London: Routledge, 2003.
Homer, The Odyssey. Trans. Emily Wilson. New York: W.W. Norton, 2018.
Jasko, K., Webber, D., Kruglanski, Arie W., et al. “Social context moderates the effects of quest for significance on violent extremism.” Journal of Personality and Social Psychology (2019). Doi: 10.1037/pspi0000198
Kruglanski, Arie W., Michele J. Gelfand, Jocelyn J. Bélanger, et al. “Significance Quest Theory as the Driver of Radicalization” in idem., Resilience and Resolve (London: Imperial College Press, 2015), pp.17-30.
Lacy, Norris J., ed., The Lancelot-Grail: The Old French Arthurian Vulgate and Post-Vulgate in Translation. 5 vols. (New York and London: Garland Publishing, Inc., 1993–1996).
Lawrence, Chris. “What if Zelda Wasn’t a Girl? Problematizing Ocarina of Time’s Great Gender Debate.” In Harper T., Adams M., Taylor N., Queerness in Play. 97-113. Palgrave, 2018.
Lee, Raymond M. “Weber, Re-Enchantment and Social Futures.” Time and Society 19.2 (2010): 180-192.
Lester, Anne E. “What remains: women, relics and remembrance in the aftermath of the Fourth Crusade.” Journal of Medieval History, 40 (2014): 311-328.
McPhilipps, Kathleen. “Believing in Post-Modernity: Technologies of Enchantment in Contemporary Marian Devotion.” In Popular Spiritualities: The Politics of Contemporary Enchantment, ed. Lynne Hume and Kathleen McPhillips, 147-158. Aldershot: Ashgate, 2006.
Murdock, Maureen. The Heroine’s Journey. Boulder, CA: Shambhala Publications, 1990.
Nicholson, Sarah. “The Problem of Woman as Hero in the Work of Joseph Campbell,” Feminist Theology 19.2 (2011): 182–193. doi: 10.1177/0966735010384331
Osborne, Richard L. “The Dark Side of the Entrepreneur,” Long Range Planning 24.3 (1991): 26-31. Doi: 10.1016/0024-6301(91)90181-M
Rushdie, Salman. Quichotte. London: Jonathan Cape, 2019.
Saler, Michael. “Modernity and Enchantment: A Historiographic Review,” The American Historical Review 111, 3 (June 2006): 692-716.
Segal, Robert A. Theorizing about Myth. Amherst, MA: University of Massachusetts Press, 1999.
Shelley, Mary. Frankenstein, edited by J. Paul Hunter. Second Norton Critical Edition. New
York: W.W. Norton, 2011.
Sutcliffe, Steven M., “Practising New Age Soteriologies in the Rational Order,” 159-174. In Hume and McPhillips, eds., Popular Spiritualities.
von Eschenbach, Wolfram. Parzival. Translated by Cyril Edwards. Oxford: Oxford University Press, 2009.
Westover, Tara. Educated. New York: Random House, 2018.
View reading list on Talis Aspire
Research element
Students will write a rigorously researched final paper with the instructor's guidance. They will be expected to conduct significant research for this assessment.
Interdisciplinary
Like all Liberal Arts modules, this one is radically interdisciplinary and transdisciplinary. The module combines a wide variety of materials and perspectives from literary studies, philosophy, psychology, business studies, medical humanities, sociology, game studies, material culture, and religious studies.
International
The module is inherently international and intertemporal. It combines sources, authors, and perspectives from multiple traditions (and readings will always be made available in the original languages to draw on students' prior knowledge if applicable). Moreover, it encourages students to think about the topics and problems we will examine from a global and international perspective (for example, when discussing relics, souvenirs, and tourism around the globe).
Subject specific skills
Students will gain increased familiarity with transdisciplinary knowledge and contemporary problems. Moreover, this module will allow them to draw on existing knowledge from other modules in the department (Art and Revolution, Science, Society, and the Media, Consumption, Sustainability) both to apply to problems under examination and as material for their own critical examination through the lens of the quest.
Transferable skills
In Liberal Arts we do not use the term "transferrable skills" as our students gain direct skills that will be useful in their future careers. Through our problem-based learning method, students learn skills such as leadership, coaching, collaboration, presentation skills, and self-directed learning.
Study time
Type | Required |
---|---|
Seminars | 10 sessions of 2 hours (13%) |
Private study | 35 hours (23%) |
Assessment | 95 hours (63%) |
Total | 150 hours |
Private study description
Students will engage in private study of approx. 3.5 hours per week to prepare readings, weekly tasks, problem development, and group discussion topics.
Costs
Category | Description | Funded by | Cost to student |
---|---|---|---|
Books and learning materials |
While there will be no mandatory costs, students will be encouraged to purchase two key texts: 1) Cervantes' /Don Quixote/, and 2) Homer's /Odyssey/. The total cost below reflects the cost for both books in the UK as of February 2020. We will also reflect on the differences between physical texts and online e-books/e-texts. |
Student |
You must pass all assessment components to pass the module.
Students can register for this module without taking any assessment.
Assessment group A
Weighting | Study time | Eligible for self-certification | |
---|---|---|---|
Troll Challenges (Pop Quizzes) | 15% | 5 hours | No |
Over the course of the term, the module will feature 5 pop quizzes, each composed of 5 multiple-choice questions. These will be direct and simple in nature, but will test whether or not students have been engaging with the in-class discussion and readings. The mark on the lowest of the 5 quizes will be dropped, and the average (mean) of the top four quizzes will be used for this assessment. |
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The Critical Quest | 40% | 50 hours | No |
Students use the thematics of the quest as developed throughout the module to examine a problem of their own choosing (either one seen in the module or one related to their own interests) in significant depth. The topic is open but should be linked to the students' own research interests, along with one of the themes discussed in the module. Students will explore the problem they choose by framing the problem within broader temporal and multidisciplinary contexts and conducting independent research. A 500-word abstract (see below) and preliminary bibliography (10 sources) must be approved by the instructor one month prior to the assessment deadline. |
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Your Modern Quest | 25% | 25 hours | No |
Students will work together in small groups to design their own quest based on the frameworks and lenses seen in class. The quest can be a video, a podcast, a series of branching scenarios on Moodle, a video game design, a choose-your-own-adventure text-based quest, or another format discussed with the instructor. Students will share their quest with the class one week prior to its presentation. During this time, other groups will undertake the quests that have been designed. Students will then present their quest to the class and critically analyse the motivations for their choices and the impact of their design while receiving encouraging and collaborative feedback from peers. |
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Quest Log | 20% | 15 hours | No |
This assignment will involve students writing short blog entries (300 words each) throughout the term as formative assessments for ongoing feedback. They will then bring together their best four entries and submit these at the end of the term. |
Feedback on assessment
Detailed feedback for written assignments will be provided via Tabula. Students can choose to have additional feedback in person via a feedback appointment.
Group feedback on the media assignment will be provided via Tabula.
Pre-requisites
Some familiarity with other modules in Liberal Arts would be helpful, as would familiarity with some of the texts/traditions we will be examining (but this is not necessary).
Familiarity with other languages is always an asset as it will allow the student to either read texts in that language or to explore scholarship with unique/different cultural perspectives.
Courses
This module is Optional for:
-
UVCA-LA99 Undergraduate Liberal Arts
- Year 2 of LA99 Liberal Arts
- Year 2 of LA92 Liberal Arts with Classics
- Year 2 of LA73 Liberal Arts with Design Studies
- Year 2 of LA83 Liberal Arts with Economics
- Year 2 of LA82 Liberal Arts with Education
- Year 2 of LA95 Liberal Arts with English
- Year 2 of LA81 Liberal Arts with Film and Television Studies
- Year 2 of LA80 Liberal Arts with Global Sustainable Development
- Year 2 of LA93 Liberal Arts with Global Sustainable Development
- Year 2 of LA97 Liberal Arts with History
- Year 2 of LA91 Liberal Arts with Life Sciences
- Year 2 of LA75 Liberal Arts with Modern Lanaguages and Cultures
- Year 2 of LA96 Liberal Arts with Philosophy
- Year 2 of LA94 Liberal Arts with Theatre and Performance Studies
- Year 3 of LA99 Liberal Arts
- Year 3 of LA92 Liberal Arts with Classics
- Year 3 of LA73 Liberal Arts with Design Studies
- Year 3 of LA83 Liberal Arts with Economics
- Year 3 of LA82 Liberal Arts with Education
- Year 3 of LA95 Liberal Arts with English
- Year 3 of LA81 Liberal Arts with Film and Television Studies
- Year 3 of LA80 Liberal Arts with Global Sustainable Development
- Year 3 of LA93 Liberal Arts with Global Sustainable Development
- Year 3 of LA97 Liberal Arts with History
- Year 3 of LA91 Liberal Arts with Life Sciences
- Year 3 of LA75 Liberal Arts with Modern Lanaguages and Cultures
- Year 3 of LA96 Liberal Arts with Philosophy
- Year 3 of LA94 Liberal Arts with Theatre and Performance Studies
-
UVCA-LA98 Undergraduate Liberal Arts with Intercalated Year
- Year 2 of LA85 Liberal Arts with Classics with Intercalated Year
- Year 2 of LA72 Liberal Arts with Design Studies with Intercalated Year
- Year 2 of LA79 Liberal Arts with Economics with Intercalated Year
- Year 2 of LA78 Liberal Arts with Education with Intercalated Year
- Year 2 of LA88 Liberal Arts with English with Intercalated Year
- Year 2 of LA77 Liberal Arts with Film and Television Studies with Intercalated Year
- Year 2 of LA76 Liberal Arts with Global Sustainable Development with Intercalated Year
- Year 2 of LA86 Liberal Arts with Global Sustainable Development with Intercalated Year
- Year 2 of LA90 Liberal Arts with History with Intercalated Year
- Year 2 of LA98 Liberal Arts with Intercalated Year
- Year 2 of LA84 Liberal Arts with Life Sciences with Intercalated Year
- Year 2 of LA74 Liberal Arts with Modern Lanaguages and Cultures with Intercalated Year
- Year 2 of LA89 Liberal Arts with Philosophy with Intercalated Year
- Year 2 of LA87 Liberal Arts with Theatre and Performance Studies with Intercalated Year
- Year 4 of LA85 Liberal Arts with Classics with Intercalated Year
- Year 4 of LA72 Liberal Arts with Design Studies with Intercalated Year
- Year 4 of LA79 Liberal Arts with Economics with Intercalated Year
- Year 4 of LA78 Liberal Arts with Education with Intercalated Year
- Year 4 of LA88 Liberal Arts with English with Intercalated Year
- Year 4 of LA77 Liberal Arts with Film and Television Studies with Intercalated Year
- Year 4 of LA76 Liberal Arts with Global Sustainable Development with Intercalated Year
- Year 4 of LA86 Liberal Arts with Global Sustainable Development with Intercalated Year
- Year 4 of LA90 Liberal Arts with History with Intercalated Year
- Year 4 of LA98 Liberal Arts with Intercalated Year
- Year 4 of LA84 Liberal Arts with Life Sciences with Intercalated Year
- Year 4 of LA74 Liberal Arts with Modern Lanaguages and Cultures with Intercalated Year
- Year 4 of LA89 Liberal Arts with Philosophy with Intercalated Year
- Year 4 of LA87 Liberal Arts with Theatre and Performance Studies with Intercalated Year