HA2E7-30 Exhibiting the Contemporary (taught in Venice)
Introductory description
This module will examine the role played by museums and exhibitions in the production of contemporary art and culture. We will study exhibition practices through the lens of both art and architecture. 'Exhibiting' refers to the spaces and narratives created by displays – from ethnographic collections and conceptual art to shifts in the public’s ways of seeing. Nation building and national rivalry, politics, ideology, and aesthetic revolutions weave throughout the history of exhibitions. Students will learn that the manner in which art is displayed is never neutral.
Module aims
The aim of this module is to examine the importance of exhibitions for the interpretation of contemporary art and architecture. Exhibitions will be examined in terms of time, space, and discourses of 'showing' understood in the broadest sense. Taught in Venice through lectures, seminars and site visits, the module will involve the study of current exhibitions of contemporary art and architecture within and beyond the frame of the Biennale. We will also study key texts on contemporary art, curating, and museum history.
Outline syllabus
This is an indicative module outline only to give an indication of the sort of topics that may be covered. Actual sessions held may differ.
Introduction: A History of Showing Things
Modern Architecture and Display
Encountering Contemporary Art
Global Exhibitions and the Rise of the Curator
Margins and the Ethnographic Exhibition
The Heritage Industry and Cultural Regeneration
Gallery Ideology and Protesting the Exhibition
Learning outcomes
By the end of the module, students should be able to:
- Demonstrate an understanding of the importance of exhibiting and exhibitions for the identity of contemporary art and architecture;
- Demonstrate an understanding of the historical and contemporary links between art and architecture
- Familiarity with a variety of practices and critical issues in contemporary art and architecture from the 1960s to the present.
- Present an argument, initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
- Ability to undertake research and to write up the results in the form of a well-structured argument at an appropriate level
- Familiarity with essential ICT skills
- Ability to collaborate effectively with others
- Show understanding of diverse viewpoints
- Ability to find, select, organize and synthesize evidence
- Ability to formulate a sustained argument
- Think conceptually and independently at an appropriate level
- Employ sophisticated conceptual and visual analysis
- Demonstrate bibliographical skills at an appropriate level
- Produce critical analysis of cultural artefacts in their context
Indicative reading list
Carol Duncan, Civilizing Rituals: Inside the Public Art Museum (New York: Routledge, 1995).
Ivan Karp and Steven Lavine, ed., Exhibiting Cultures: The Poetics and Politics of Museum Display (Washington: Smithsonian Press, 1991).
Charlotte Klonk, Spaces of Experience: Art Gallery Interiors from 1800 to 2000 (New Haven: Yale University Press, 2009).
Miwon Kwon, One Place After Another: Site-Specific Art and Locational Identity (Cambridge: MIT Press, 2002).
Sylvia Lavin, Kissing Architecture (Princeton: Princeton University Press, 2011).
Donald Preziosi, Brain of the Earth’s Body: Art, Museums, and the Phantasms of Modernity (Minneapolis: University of Minnesota Press, 2003).
Brian O'Doherty, Inside the White Cube: The Ideology of the Gallery Space (Culver City: The Lapis Press, 1986).
View reading list on Talis Aspire
International
This module is taught in Venice through class-based learning, site visits and trips.
Subject specific skills
- Demonstrate an understanding of the importance of exhibiting and exhibitions for the identity of contemporary art and architecture
- Demonstrate an understanding of the historical and contemporary links between art and architecture:
- Understand the architectural contexts of art, and the artistic contexts of architecture
- A familiarity with a variety of practices and critical issues in contemporary art and architecture from the 1960s to the present.
- Employ sophisticated conceptual and visual analysis
- Produce critical analysis of cultural artefacts in their context
Transferable skills
- present an argument, initiate and sustain group discussion through intelligent questioning and debate at an appropriate level
- ability to undertake research and to write up the results in the form of a well-structured argument at an appropriate level
- familiarity with essential ICT skills
- ability to collaborate effectively with others
- show understanding of diverse viewpoints
- ability to find, select, organize and synthesize evidence
- ability to formulate a sustained argument
- think conceptually and independently at an appropriate level
- Demonstrate bibliographical skills at an appropriate level
Study time
Type | Required |
---|---|
Seminars | 20 sessions of 2 hours (13%) |
Fieldwork | 2 sessions of 8 hours (5%) |
Private study | 244 hours (81%) |
Total | 300 hours |
Private study description
Required and recommended reading for seminar preparation, research for written assessments and revision for examinations.
Costs
No further costs have been identified for this module.
You do not need to pass all assessment components to pass the module.
Assessment group A1
Weighting | Study time | Eligible for self-certification | |
---|---|---|---|
Workbook | 60% | Yes (extension) | |
3,000 word work book comprising a number of parts |
|||
Engagement | 10% | No | |
Slide Test | 30% | No | |
Image analysis examination |
Feedback on assessment
Written feedback and dedicated feedback tutorials.
Courses
This module is Core for:
- Year 2 of UHAA-V401 Undergraduate History of Art
This module is Core optional for:
- Year 1 of UHAA-V41P Undergraduate History of Art
This module is Core option list A for:
- Year 2 of UHAA-V3R3 Undergraduate History of Art with Italian